Audio Visual Series
The AV series contains Contemporary, Corporate, Industrial, Light Jazz, Ethereal, New-Age, and Dramatic themes designed to support narration or underscore or highlight presentations.
| AV Series 100 Vol. 5 -- An intriguing disc, featuring strong melodies, and beautiful arrangements. With the release of Picture Perfect, we celebrate our 25th CD. The extended length of most of these wonderful cuts is designed to support your visuals and enhance the emotional content of your productions. Styles include Dramatic, Pop, Jazz, Romance, Patriotic and more. | | | AV Series 100 Vol. 6 -- Simple and elegant. Many of these tracks are designed to underscore your productions. Others are designed to punctuate your message. This CD provides a wonderful blend of smooth electronic underscores, jazz, and rock. These tracks will provide the right mood for your message, yet stay out of the way of dialog.
| | | AV Series 100 Vol. 7 -- This CD provides soft sounds and heart pounding beats, sometimes together and sometimes separately. Designed to underscore your visuals, each of these ethereal tracks are track unique. This CD can take you to a new dimension with every song. Take a listen but don't get lost in the illusion. Styles include New Age, Ethereal, Electronica and more. | | | AV Series 100 Vol. 3 -- Offering lots of great sounds and a big punch. Get the energy you need for that sales meeting or promotional project or, add that special sound to your wedding projects. | | | AV Series 100 Vol. 4 -- This versatile CD provides a variety of tracks for corporate image, industrial, trade, or retail situations. Each track is designed to provide just the right mode and emotion for your message. | | | AV Series 100 Vol. 1 -- This CD provides positive emotions for any corporate project. Also offers easy listening and romantic styles of music. | | | AV Series 100 Vol. 2 -- This CD has a wide range of sounds, from light yet energetic to dramatic. It also offers a Christmas Medley of those familiar songs we all grew up with. | | |
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